by NuPo music critic
This is a list of the most annoying Christmas songs & renditions of songs, many of which are broadcast by "soft rock" stations in favor of better songs or renditions. Some are used as background music in big box stores. (Sorry if one of your favorites made the list.)
Warning, listening to any of the more accursed songs mentioned below may result in getting them stuck in your head. To get them out, try listening to better Christmas songs or renditions.
* Added in 2012
1. Ho! Ho! Ho! (Who'd be a turkey at Christmas?)*
There really ought to be a law against this song. The singer, Elton John, sounds like a maniacal drunk pervert harassing someone. We fear it will become a radio regular...since the radio always promotes the worst.
2. Santa Baby -When I heard this, I remarked that it sounded like Fran Drescher --the nanny-- composed it. I concluded that a Jewish woman from New York must have written it, because of its NY-Semitical "nyah nyuh nyeh nyih" intonations. It turns out I was partially right; a Jewish man named Fred Ebb from Manhattan wrote this cheeky monstrosity in 1953. Chaim Potok warned us of these sorts of monstrosities.
3. The Man with the Bag*
It all boils down to a "man with a bag"... Reducing things to this level of description is so warm and endearing, and way better than something like Old Saint Nick (sarcasm). There seems to be a sprouting genre of jazzy celebration "Christmas music," and this song belongs to it.++
4. Jingle Bell Rock -This song seems to be the favorite of soft rock stations, and its menacing prevalence is one reason why it tops the list. The reader may also remember this song from the movie "Mean Girls," in which it was used to sexualize Christmas--Christmas of all things! This is a typical rock & roll song, and if Christmas songs had IQ's, this one's would be vegetative-grade.
5. Unknown Title* This song involves the lyric "Sing Noel" and eventually deteriorates further into a sort of "eh eh eh eh sing Noel" that sounds like wretching. Please let me know if you can find the title. Anyway, it's bad because its tune gives the impression of someone singing a song intently without knowing what they're singing about. It implies sincerity without purpose, if that were possible.
6. Rockin' Around the Christmas Tree -A soft-rock radio station favorite that provides more evidence for the equation: Rock + Christmas = Fail.
7. Last Christmas I Gave You my Heart
"Last Christmas, I gave you my heart But the very next day, you gave it away." The lamentations of an organ donor's ghost who mourns at seeing his heart rejected by his donee, this is another favorite of soft rock stations, and totally unsatisfying. There's an evil sort Beatlish tinge to it, and its lyrics sort of remind me of the song that goes "I'll do anything for love--but I won't do that."
8. Trans-Siberian Orchestra's "Carol of the Bells"
This rendition scores highest on the perversion index. A normal rendition of "Carol of the Bells" has an inspiring melody from the traditional Ukrainian song Shedryk and is arguably one of the best Christmas carols when performed by Robert Shaw or anyone willing to sing it normally. There are also decent instrumental versions of it, such as this piano piece. Sadly, T-S Orchestra has set it to a horrid electric guitar--hardly an instrument that is capable of communicating its melody--and most plebeians out there probably think T-S Orchestra originally composed it. The Trans-Siberian Orchestra ought to be exiled to the place of their namesake for bastardizing this dear tune.
9. Mahalia Jackson's Rendition of "What Child is This?"
"What Child is This" is a beautiful song, set to the beautiful melody of "Greensleeves." But somehow Jackson manages to bastardize thoroughly, with her "Whi-ile She-epherds" lyric being totally undesirable. The tune of Greensleeves is the work of centuries of mastery, but Jackson's rendition illustrates how one person can nullify all of it. Thus, this rendition makes this list because of its high score on the perversion index.**
10. All I Want For Christmas is You
Lyrically it's a moot point since slavery is illegal, but the real reason this song makes this list is...well...it's just too "pop" and too feminist to fit a decent definition of Christmas music.
And now that we've endured mention of these "soft rock" and other depressing tunes & renditions, the reader is commissioned to listen to some good traditional songs which are bound to be better.
Top Ten in 2010
1. Jingle Bell Rock
2. Santa Baby
3. Rockin' Around the Christmas Tree
4. "Christmas Canon" by the Trans-Siberian Orchestra
5. Trans-Siberian Orchestra's "Carol of the Bells"
6. Mahalia Jackson's Rendition of "What Child is This?"
7. Last Christmas I Gave You my Heart
8. Happy Christmas (War is Over)
9. All I Want For Christmas is You
10. Do You Hear What I Hear
**As a side note to #6 on the list, I must inform the reader that in Christmas carols, a singer exists to communicate the music of the song; the song does not exist to communicate the nicety of the singer's voice. Although a nice voice may be pleasant, it should ultimately be subservient to the song in order to effectively communicate the melody, and if Jackson had highlighted the tune "Greensleeves" rather than her own wretched jazzy bellowings, then she may have done a good job. This isn't to say adaptations are always bad, some can even be improvements, but jazzy adaptations are ill-suited for communicating rather unjazzy English airs. A similar episode happened when one opera star tried to sing popular Christmas carols. She sounded bad because the carols were not written to meet the needs of opera singers, and so also, carols are not intended to be sung by wailing jazz singers.
++The main time one hears jazz music as background music in stores is during Christmas. I guess this is some sort of paean to the past, but we're only allowed to go back to the jazz age when Jews such as Irving Berlin were writing Christmas music that didn't mention God or Jesus. It seems we're not allowed to go back farther, to pre-20th century Christian Christmas music, with all its majestic tunes and lyrics which usually concerned the nativity or blessing from God. If only the tunes were allowed to survive as instrumentals. But then again, the
11. Handel's Messiah Rocks "Hallelujah" -A holiday show that shouldn't be, for it perverts with rock & rhythm that which ought to be melody. The syncopated beat is a terrible perversion the original Hallelujah. This rock rendition proves that it is easy to tear things down and to pervert what is good.
12. Happy Christmas (War is Over)
This one was actually composed by a Beatle--John Lenon. There's a sort of straining quality to it that is too self-centered for a celebration that is supposed to be either festive or holy. McCartney's blasé "Wonderful Christmastime" was also considered for this list, but was found to be too light-hearted and not disturbing enough to make it.
13. Do You Hear What I Hear?
I wish I didn't. Composed in the early 60's, although it seems it could be from earlier, the chorus of this song is weird. It just tastes bad musically, sort of like some art does visually.
14. In Dulci Jubilo (aka Good Christian Men Rejoice)-This song is by no means malevolent to the idea of Christmas, like many in the top ten, but it is uninspiring and doesn't fit in with any good old carols. The tune is just kind of awkward.
15. "Christmas Canon" by the Trans-Siberian Orchestra
This is the first [now second after re-ranking] appearance of this horrible group on this list. Let it be stated that this song ranks high on the perversion and effeminacy index, and gets stuck in one's head very easily and is difficult to get out. T-S Orchestra composed the part with the lyrics--the effeminate part. Although Pachelbel's Canon--the tune they bastardize--is not traditionally a Christmas carol, T-S Orchestra's devalued rendition of it is frequently played by commercial radio.
16. I Saw Mommy Kissin' Santa Claus -I wish you hadn't.
16. Christmas Shoes -If I had heard this song earlier, it may have made the top ten. The corny country lyrics aren't the problem; the problem is its un-moving melody combined with its sappy emotionalism. Also, it sounds particularly horrendous when sung by a choir: avoid hearing a choral rendition of it at all costs.
17. "Hodie Christus Natus Est" by Jan Pieterszoon Sweelinck
This is an older tune, composed at the beginning of the baroque period (late 1500s early 1600s). This song's bumptious first stanza rubs me the wrong way (the "Hodie, hodie, hodie, hodie" part). Yet the rest of the tune is borderline pleasant, sounding very baroque and like one of Bach's compositions. Because a good portion of it is decent, this tune did not make the top ten, but its beginning verse nevertheless warrants the entire tune a dishonorable mention.